From 898f77e552419872c5089714c77b9ab700374c78 Mon Sep 17 00:00:00 2001 From: DKChan <524912269@qq.com> Date: Thu, 5 Nov 2026 07:36:36 +0800 Subject: [PATCH] =?UTF-8?q?=E6=96=87=E6=A1=A3(=E8=90=A5=E5=9C=B0=E5=9C=BA?= =?UTF-8?q?=E6=99=AF=E9=87=8D=E6=8E=92):=20=E5=9C=B0=E5=B9=B3=E7=BA=BF?= =?UTF-8?q?=E6=8F=90=E5=88=B0=E7=BB=88=E7=A8=BF=20y367=E3=80=81=E5=9B=B4?= =?UTF-8?q?=E5=A2=99=E5=8A=A0=E9=AB=98=E5=88=B0=20150=E3=80=81=E9=97=A8?= =?UTF-8?q?=E6=B4=9E=E5=8E=8B=E5=88=B0=2084?= MIME-Version: 1.0 Content-Type: text/plain; charset=UTF-8 Content-Transfer-Encoding: 8bit 用户 2026-11-05 裁定的场景构图重排，落进美术提示词卡与相邻口径： camp-scene-prompts.md - §2.1 背景层重写：地平线出图 y734／终稿 y367；远山只占上半、山脚轮廓起伏， 明令禁出现平直横向色带（旧稿 y321／y551 两条 1px 硬切即判红）；地面放开细节 （稀疏草簇/石子/车辙/脚印）并要求提亮，解除旧稿「禁一切植被」导致的地面朴素； 门洞土路改为从画面底 y1600 连续贯通到门洞，底宽顶窄 - §2.2 围墙层重写：桩身 300（终稿 150）、门柱 328（164）、门洞 y566–734 / x1040–1520， 外接矩形 (0,406,2560,328)；解除旧稿「只占画面 1/18 的矮墙」描述 - §2.3 坐标表、§3 表（门扇锁定 240×147 / 贴图 240×138 随门洞压扁）、§4 验收判据、 §5 已裁九条全部换新值 art-bible.md §6.2：落盘矩形与底锚、门扇与帐篷裁决口径同步 camp.md：地平线描述由「中景带自画面底部往上约 2/3」改为「地平线 y367、围墙带 y203–367」； 帐篷由「尺寸待重定」改为 251×170 落位 (982,335) 验证：tools/run_all_gates.sh --docs exit=0「验收通过·无新增红」（基线 709d9a85）。 首跑 doc_term 命中一处退役词（"不得"→"不能"），改后复跑绿。 素材未重出，数据表 camp_scene_layout.tres 等新图到位后再改。 --- design/art/art-bible.md | 4 +-- design/art/camp-scene-prompts.md | 58 ++++++++++++++++++-------------- design/gdd/ux/camp.md | 4 +-- 3 files changed, 37 insertions(+), 29 deletions(-) diff --git a/design/art/art-bible.md b/design/art/art-bible.md index 1ca77c1f..2b76d5e2 100644 --- a/design/art/art-bible.md +++ b/design/art/art-bible.md @@ -392,12 +392,12 @@ - **情绪与色域**：承载 §2.8——全作最暖：烛光黄 `#F6C667` × 木色 `#8A5A34`(§7.2)，中等饱和，无棋盘式高对比。 - **场景构成**：一张可点击的营地场景图（1280×800，与工程档同幅面）。远景=天空与远山；中景=**独立成层的木围墙**（密排竖木桩、桩顶削尖、不透缝无横木）与**半开的营地大门**；近景=中央篝火、左侧锻炉铁砧、右侧帐篷与宝箱、帐篷旁的笔记本，另有木桩与挂在围墙上的布告板。**中景带自底部往上约 2/3 处起**；**近景物件可覆盖围墙，唯一例外=中间门洞必须留空、不被任何物件遮挡**。七个可点物件的功能绑定归 `camp.md`，本节只定画法。 - **图层拆分（10 张）**：场景按「远景／中景／近景要素各自成层」拆——`scene_camp_bg` 背景层（z0，不透明全幅）=天空＋远山＋整片地面＋门洞内一条通向远处的小路；`scene_camp_wall` 围墙层（z1，透明底）=横贯全宽密排木桩墙（左右两段）＋两根略高的门柱，**门洞处留透明缺口**透出背景层的小路；`scene_camp_board` 布告板（z2）、`scene_camp_gate` 门扇（z3）、`scene_camp_dummy` 木桩／`scene_camp_forge` 锻炉／`scene_camp_tent` 帐篷（z4）、`scene_camp_chest` 宝箱／`scene_camp_notebook` 笔记本（z5）、`scene_camp_campfire` 篝火（z6，最前）=八个物件层，各透明底单件一张。**帐篷**为承载件、不可点。围墙独立成层的好处：桩高可单独锁死、门洞做透明缺口、背景层不混入暖木色。提示词与坐标 = `camp-scene-prompts.md`，消费常量 = `asset-path-map`。 -- **交付形态**：**背景层 1 张（不透明全幅）＋ 围墙层 1 张 ＋ 八个物件层 = 10 张**，其中 9 张透明底、1 张不透明全幅 + 一份坐标表（贴图矩形/命中矩形/z 序）。**篝火例外**：命中矩形只取下半（火堆），上半（火焰）只作特效展示。围墙层落盘按细条裁，不做全幅（全幅约 3.9 MB 显存，细条约 0.35 MB）；**实装落盘矩形 `(0, 261, 1280, 49)`、底锚 y310**（Y 压缩按桩身 43px 终稿锁定值精确，落带内〔规划带 (0,240,1280,70)〕；备选 A′〔带高 70/桩身 62〕存档 artwork 同目录）。 +- **交付形态**：**背景层 1 张（不透明全幅）＋ 围墙层 1 张 ＋ 八个物件层 = 10 张**，其中 9 张透明底、1 张不透明全幅 + 一份坐标表（贴图矩形/命中矩形/z 序）。**篝火例外**：命中矩形只取下半（火堆），上半（火焰）只作特效展示。围墙层落盘按细条裁，不做全幅（全幅约 3.9 MB 显存，细条约 0.35 MB）；**实装落盘矩形 `(0, 203, 1280, 164)`、底锚 y367**（桩身 150px、门柱 164px 终稿锁定值，落带内〔围墙带 (0,203,1280,164)〕）。 - **色彩与氛围依据**：营地场景的冷暖分工（冷的大面积后退、暖的小面积前进）、空气透视三档与大面积用色规则 = `reports/提案-营地色彩与氛围脚本-2026-10-23.md`。本节不复述色值；新增环境色按 §4.1 场景环境子板条款登记（每屏一套、≤32 色、过 §4.2 语义检查与 RGB 三通道差 ≥8/255 两道门）。 - **交互四态（零新素材，全部程序化）**：悬停=**轮廓亮边 + 浮动**（浮动须整像素吸附）；按下=位移 1px；**禁用/未解锁=降明度 + 去饱和**（§2 已缩窄至情绪域，状态表达不受限），**仅锻炉（锻造工坊）与宝箱（秘宝匣）两件会有此态**；已解锁=常态。 - **钥石余额**：常驻画面顶部的一行小 HUD 栏（高 48px，**浮层覆盖，不挤压画面**）。 - **事实源边界**：解锁条件/价格/存档写入归元进度 GDD 与 `MetaProgression`；素材命名与路径归 `asset-path-map`；清单登记归 `art-assets-checklist` §3.5。 -- **已裁（2026-11-01 用户裁）**：① **营地环境子板色值**——不前置拍板：量化场景实际用色后按 §4.1 场景环境子板条款登记（每屏一套、≤32 色、过 §4.2 语义检查与 RGB 三通道差 ≥8/255 两道门）；② **门扇与门洞的高宽比例**——门扇 240×220 追认现值，坐标按门洞 x520–760 对齐（`camp-scene-prompts.md` §2.3）；③ **帐篷的落地尺寸**——300×170 追认现值（各素材第一张样本稿已过审为终稿，重定即触发重出，不裁）。 +- **已裁（2026-11-01 用户裁）**：① **营地环境子板色值**——不前置拍板：量化场景实际用色后按 §4.1 场景环境子板条款登记（每屏一套、≤32 色、过 §4.2 语义检查与 RGB 三通道差 ≥8/255 两道门）；② **门扇与门洞的高宽比例**——门扇贴图 240×138（锁定 240×147），随门洞 y283–367 压扁重画，坐标按门洞 x520–760 对齐；③ **帐篷的落地尺寸**——251×170 落位 (982, 335)，上端遮住围墙下部。 ### 6.3 三关图类型色板候选（board_type 换挡方向） diff --git a/design/art/camp-scene-prompts.md b/design/art/camp-scene-prompts.md index a269ff63..3544887c 100644 --- a/design/art/camp-scene-prompts.md +++ b/design/art/camp-scene-prompts.md @@ -1,9 +1,9 @@ # 营地场景 · 分层生图提示词卡 v1.5 > **性质**：营地场景图（1280×800，一张可点击场景图 ＋ 十张分层：背景层 1 ＋ 围墙层 1 ＋ 八个物件层）的出图执行侧文件。**场景级资产，与角色级 [art-prompts](art-prompts.md) 并列，两文件互不覆盖**。 -> **依据**：色彩与氛围 = `reports/提案-营地色彩与氛围脚本-2026-10-23.md`（本卡不复述色值）；坐标与层序 = `artwork/2026-10-23-营地场景/布局草案-1280x800.html`；物件命名与消费链 = [asset-path-map](asset-path-map.md)；画法与交付形态 = [art-bible](art-bible.md) §6.2。冲突时色彩以色彩脚本为准，画法以 art-bible 为准。 +> **依据**：色彩与氛围 = `reports/提案-营地色彩与氛围脚本-2026-10-23.md`（本卡不复述色值）；坐标与层序 = 本卡 §2.3（运行期单一事实源 = `game/data/tables/camp_scene_layout.tres`）；物件命名与消费链 = [asset-path-map](asset-path-map.md)；画法与交付形态 = [art-bible](art-bible.md) §6.2。冲突时色彩以色彩脚本为准，画法以 art-bible 为准。 > **边界**：只管营地场景图的分层出图。角色、图标、格面走 art-prompts.md 与脚本管线，不需要提示词。 -> **建立**：2026-10-25 · 状态：十条提示词成文（背景层 1 ＋ 围墙层 1 ＋ 八个物件层），出图通道由作者自定 +> **建立**：2026-10-25 · 状态：十条提示词成文（背景层 1 ＋ 围墙层 1 ＋ 八个物件层）；2026-11-05 按地平线 y367 重排，背景层与围墙层待按 §4 新判据重出，门扇随门洞压扁重画 --- @@ -44,21 +44,22 @@ Style reference: the attached images are this game's own finished pixel art and ### 2.1 背景层（`scene_camp_bg`，不可点，不透明全幅） **出图画布**：2560×1600（终稿 1280×800 的 2 倍，保证整数倍降采样） -**画什么**：天空、远山、整片地面、门洞位置一条通向远处的小路 +**地平线**：出图 y734（终稿 y367）——山脚到此为止，其下全是地面。山脚轮廓必须起伏错落、与地面顶部的明度接近，**不可读成一条平直的横向色带**（旧稿在 y321／y551 出现两条 1px 硬切分带，判红） +**画什么**：天空、远山、整片有细节的地面、一条从画面底贯通门洞再向远方收窄的小路 **不画什么**：木围墙、门柱、门扇、七个物件、角色、接地阴影——围墙与门柱是 §2.2 的独立层，门洞是它的透明缺口；小路在本层画好、透出来即可 ``` -Pixel art style. True pixel art game background layer drawn with chunky square pixels, strict pixel grid alignment, hard edges, no anti-aliasing, no gradients, flat colors only, a limited palette of about 24 colors, retro 16-bit look, Aseprite style, all ages, flat side view, orthographic, no perspective distortion. Wide horizontal composition, 16:10 aspect ratio. This is the FAR BACKGROUND LAYER ONLY of a small adventurer camp: sky, distant hills and the whole ground. It must contain no palisade wall, no gate posts, no camp objects, no gate leaves, no characters and no drop shadows, because all of those are drawn as separate transparent layers on top of this one. COLOR SCRIPT — cool recedes, warm advances: the sky, the hills and the ground are all COOL, pale, desaturated and low in contrast; there is no warm accent anywhere in this layer, warm color belongs only to the separate object layers drawn on top. ATMOSPHERIC DEPTH: every plane that is farther away is lighter, closer to the value of the sky, cooler, lower in contrast and simpler in detail, while the nearest plane is the darkest and highest in contrast. SKY (top of frame): the lightest thing in the picture, flat pale cool off-white with a faint blue-grey tint, no yellow or cream tone, no sun anywhere; the very top strip of the frame, about one sixteenth of the frame height, stays completely calm and empty, reserved as clear space with nothing in it; at most one or two extremely simple flat low-contrast clouds. FAR DISTANCE: two or three layers of low rolling hill silhouettes in pale cool blue-grey, each farther layer lighter, cooler and lower in contrast than the one in front, fading towards the value of the sky, no trees, no individual foliage. HILLS TO GROUND: the hills fade gradually and smoothly down into the ground, with NO visible horizon line and NO distant ground band — the transition must not read as a separate horizontal stripe of a different color. GATE PATH: in the middle of the frame, between x=1040 and x=1520, one clearly visible dirt path runs from the ground at two thirds of the frame height measured from the bottom edge away into the distance between the hills, narrowing as it recedes, painted in a muted desaturated grey-brown earth tone, never golden or warm yellow; this path shows through the empty gate opening of the wall layer above. FOREGROUND GROUND: the darkest area of the picture, dry packed bare earth in a neutral desaturated grey-brown, never golden, amber or warm yellow, hard flat color blocks, hard edges, no gradient, no grass, no grass tufts, no weeds and no plants of any kind. The foreground ground is completely empty apart from the dirt path: no objects, no icons, no badges, no markers, no decorations of any kind. Do not add any of the following: realistic, photorealistic or 3D rendering; painterly brushwork, smooth anti-aliased lines, gradient or dithered shading, glossy highlights; black or heavy dark outlines; drop shadows, contact shadows or any shadow band; blur or compression artifacts; a vignette, dark corners, or any mood darkening; night, dusk, moon, stars, sunset or sunrise light; a sun or any light source drawn in the sky; a visible horizon line, a separate horizontal distant ground band or any distant grass strip below the hills; trees, forests or foliage in the distance; grass, grass tufts, weeds or plants in the foreground; a palisade wall, wooden fence, fence posts, gate posts or any wall structure; any warm, golden, amber or yellow cast on the sky, on the hills or on the ground; any camp object, furniture, crate, barrel, fire, tent or tool; any gate leaf, door panel or hinge; any purple or magenta anywhere; any text, letters, numbers, watermark, signature or logo; any frame, border, panel, arrow or UI element; any icon, badge, item tile, emblem, sign, marker or symbol anywhere in the frame; any characters, people, creatures or animals. +Pixel art style. True pixel art game background layer drawn with chunky square pixels, strict pixel grid alignment, hard edges, no anti-aliasing, no gradients, flat colors only, a limited palette of about 24 colors, retro 16-bit look, Aseprite style, all ages, flat side view, orthographic, no perspective distortion. Wide horizontal composition, 16:10 aspect ratio. This is the FAR BACKGROUND LAYER ONLY of a small adventurer camp: sky, distant hills and the whole ground. It must contain no palisade wall, no gate posts, no camp objects, no gate leaves, no characters and no drop shadows, because all of those are drawn as separate transparent layers on top of this one. COLOR SCRIPT — cool recedes, warm advances: the sky, the hills and the ground are all COOL, pale, desaturated and low in contrast; there is no warm accent anywhere in this layer, warm color belongs only to the separate object layers drawn on top. ATMOSPHERIC DEPTH: every plane that is farther away is lighter, closer to the value of the sky, cooler, lower in contrast and simpler in detail, while the nearest plane is the darkest and highest in contrast. SKY (top of frame): the lightest thing in the picture, flat pale cool off-white with a faint blue-grey tint, no yellow or cream tone, no sun anywhere; the very top strip of the frame, about one sixteenth of the frame height, stays completely calm and empty, reserved as clear space with nothing in it; at most one or two extremely simple flat low-contrast clouds. FAR DISTANCE: two or three layers of low rolling hill silhouettes in pale cool blue-grey, each farther layer lighter, cooler and lower in contrast than the one in front, fading towards the value of the sky, no trees, no individual foliage. The hills sit in the upper middle of the frame: their lowest foot lands at 46 percent of the frame height measured from the top edge (y=734 of 1600), and their peaks stay well below the reserved empty top strip. The hill foot must be IRREGULAR — rolling bumps of unequal width, some reaching lower than others — so the boundary never reads as one straight horizontal line. HILLS TO GROUND: at y=734 of 1600 the hills end and the ground begins, and the two must join invisibly — the ground takes the same pale cool tone as the hill foot where they meet, then darkens slowly and evenly towards the bottom of the frame. There must be NO separate horizontal stripe, NO flat band of a third colour, NO hard one-pixel colour step anywhere: a viewer must not be able to point at a straight line and call it the horizon. GATE PATH: one clearly visible dirt path runs the FULL height of the ground, from the very bottom edge of the frame (y=1600) straight up to the gate opening between x=1040 and x=1520 and on into the distance between the hills, where it narrows and vanishes. Perspective is correct: WIDE at the bottom of the frame, NARROW at the top, and exactly as wide as the gate opening where it passes through it. The path must be continuous end to end — no break, no gap, no missing section — painted in a muted desaturated grey-brown earth tone, never golden or warm yellow; it shows through the empty gate opening of the wall layer above. FOREGROUND GROUND: dry packed earth in a neutral desaturated grey-brown, medium in value — clearly lighter than a dark muddy version, never near-black, never golden, amber or warm yellow. It carries readable DETAIL in hard-edged pixel clusters: sparse flat grass tufts a few pixels wide, scattered pebbles and small stones, wheel ruts, dragged footprints and beaten patches of trodden earth, denser towards the bottom edge and leaving the middle of the frame calm. A few tones only; no gradient, no dithering. The foreground ground is completely empty apart from the dirt path: no objects, no icons, no badges, no markers, no decorations of any kind. Do not add any of the following: realistic, photorealistic or 3D rendering; painterly brushwork, smooth anti-aliased lines, gradient or dithered shading, glossy highlights; black or heavy dark outlines; drop shadows, contact shadows or any shadow band; blur or compression artifacts; a vignette, dark corners, or any mood darkening; night, dusk, moon, stars, sunset or sunrise light; a sun or any light source drawn in the sky; a visible horizon line, a separate horizontal distant ground band or any distant grass strip below the hills; trees, forests or foliage in the distance; a dense carpet of plants, a lawn, or vegetation covering the whole foreground; any plant detail taller than a few pixels; a palisade wall, wooden fence, fence posts, gate posts or any wall structure; any warm, golden, amber or yellow cast on the sky, on the hills or on the ground; any camp object, furniture, crate, barrel, fire, tent or tool; any gate leaf, door panel or hinge; any purple or magenta anywhere; any text, letters, numbers, watermark, signature or logo; any frame, border, panel, arrow or UI element; any icon, badge, item tile, emblem, sign, marker or symbol anywhere in the frame; any characters, people, creatures or animals. ``` ### 2.2 围墙层（`scene_camp_wall`，不可点，透明底） -**出图画布**：2560×1600（与背景层同画布，门洞 x 坐标直接对齐）；墙横贯画在出图 y480–620 这条**窄带**内，其余为纯色底 `#F2F2F2`。落盘由 S4 后处理裁成终稿外接矩形 `(0, 240, 1280, 70)` ／ 出图 `(0, 480, 2560, 140)` 的细条，**不做全幅 1280×800 落盘**（全幅约 3.9 MB 显存，细条约 0.35 MB）。 -**画什么**：横贯全宽的密排竖木桩墙（左右两段）＋ 两根略高的门柱，门洞处完全透明 +**出图画布**：2560×1600（与背景层同画布，门洞 x 坐标直接对齐）；墙横贯画在出图 y406–734 这条带内（桩身 y434–734，门柱 y406–734），其余为纯色底 `#F2F2F2`。落盘由 S4 后处理裁成终稿外接矩形 `(0, 203, 1280, 164)` ／ 出图 `(0, 406, 2560, 328)` 的细条，**不做全幅 1280×800 落盘**（全幅约 3.9 MB 显存，细条约 0.35 MB）。 +**画什么**：横贯全宽的密排竖木桩墙（左右两段，桩身终稿 150 高）＋ 两根略高的门柱（终稿 164 高），门洞处完全透明 **不画什么**：天空、远山、地面、小路、门扇、七个物件、角色；门洞内不画任何东西，透出背景层的小路 ``` -Pixel art style. True pixel art game layer drawn with chunky square pixels, strict pixel grid alignment, hard edges, no anti-aliasing, no gradients, flat colors only, a limited palette of about 24 colors, retro 16-bit look, Aseprite style, all ages, flat side view, orthographic, no perspective distortion. Wide horizontal composition, 16:10 aspect ratio. This is the PALISADE WALL LAYER ONLY of a small adventurer camp, drawn on a plain flat uniform light grey #F2F2F2 background for easy keying. A wooden palisade wall runs straight across the full width of the frame, seen from the front, built from closely spaced vertical logs standing side by side with no gaps between them, every log cut to a sharp point at the top, a solid barrier with no horizontal rails, no see-through gaps, no ranch-style post-and-rail fence. The wall is SHORT and LOW: including the pointed tips the whole band occupies only about one eighteenth of the total frame height, a thin horizontal strip, NOT a tall barrier; the logs stand only about one eighteenth of the total frame height above their base line. In the middle of the wall one wide gap holds two thick gate posts slightly taller than the wall, and the entire opening between them is completely EMPTY — plain flat uniform light grey #F2F2F2 showing through, no logs, no path, no ground, no scenery inside the opening, because the dirt path and the hills belong to the background layer below and the gate leaves are a separate object layer. The wall is painted in a muted greyed wood brown, with a thin warm cream outline around the whole silhouette, flat shading. Do not add any of the following: realistic, photorealistic or 3D rendering; painterly brushwork, smooth anti-aliased lines, gradient or dithered shading, glossy highlights; black or heavy dark outlines; drop shadows or contact shadows; blur or compression artifacts; a vignette or dark corners; any sky, hills, ground, grass, dirt path or scenery of any kind; any gate leaf, door panel or hinge; any camp object, furniture, crate, barrel, fire, tent or tool; any characters, people, creatures or animals; any purple or magenta anywhere; any text, letters, numbers, watermark, signature or logo; any frame, border, panel, arrow or UI element. +Pixel art style. True pixel art game layer drawn with chunky square pixels, strict pixel grid alignment, hard edges, no anti-aliasing, no gradients, flat colors only, a limited palette of about 24 colors, retro 16-bit look, Aseprite style, all ages, flat side view, orthographic, no perspective distortion. Wide horizontal composition, 16:10 aspect ratio. This is the PALISADE WALL LAYER ONLY of a small adventurer camp, drawn on a plain flat uniform light grey #F2F2F2 background for easy keying. A wooden palisade wall runs straight across the full width of the frame, seen from the front, built from closely spaced vertical logs standing side by side with no gaps between them, every log cut to a sharp point at the top, a solid barrier with no horizontal rails, no see-through gaps, no ranch-style post-and-rail fence. The wall stands on the ground line at y=734 of 1600. The LOG BODIES, pointed tips included, rise 300 pixels above that base line — about nineteen percent of the total frame height — so it reads as a real barrier with presence, clearly taller than the gate opening cut into it, not a thin decorative strip. In the middle of the wall one wide gap holds two thick gate posts standing 28 pixels taller than the logs, and the entire opening between them is completely EMPTY — plain flat uniform light grey #F2F2F2 showing through, spanning x=1040 to x=1520 and rising from the base line y=734 up to y=566, no logs, no path, no ground, no scenery inside the opening, because the dirt path and the hills belong to the background layer below and the gate leaves are a separate object layer. The wall is painted in a muted greyed wood brown, with a thin warm cream outline around the whole silhouette, flat shading. Do not add any of the following: realistic, photorealistic or 3D rendering; painterly brushwork, smooth anti-aliased lines, gradient or dithered shading, glossy highlights; black or heavy dark outlines; drop shadows or contact shadows; blur or compression artifacts; a vignette or dark corners; any sky, hills, ground, grass, dirt path or scenery of any kind; any gate leaf, door panel or hinge; any camp object, furniture, crate, barrel, fire, tent or tool; any characters, people, creatures or animals; any purple or magenta anywhere; any text, letters, numbers, watermark, signature or logo; any frame, border, panel, arrow or UI element. ``` ### 2.3 出图画布上的坐标（终稿 ×2） @@ -67,10 +68,12 @@ Pixel art style. True pixel art game layer drawn with chunky square pixels, stri |---|---|---| | 顶栏 HUD 保留带 | y ≤ 48 | **y ≤ 96**（保持空旷） | | 背景层 `scene_camp_bg` | 全幅 1280×800 | 全幅 2560×1600 | -| 围墙带（wall 层桩身） | y 267–310（**高 43px**） | y 534–620（**高 86px**） | -| 门柱（wall 层，略高） | y 240–310；x 500–520 / 760–780 | y 480–620；x 1000–1040 / 1520–1560 | -| 门洞（wall 层透明缺口） | x 520–760 | x 1040–1520 | -| 门洞内小路（画在 bg 层） | x 520–760，自 y310 向上收窄至远山 | x 1040–1520，自 y620 向上收窄至远山 | +| 地平线（山脚／地面分界） | **y 367** | **y 734** | +| 围墙层外接矩形 | y 203–367（高 164） | y 406–734（高 328） | +| 围墙带（wall 层桩身） | y 217–367（**高 150px**） | y 434–734（**高 300px**） | +| 门柱（wall 层，略高） | y 203–367（高 164）；x 500–520 / 760–780 | y 406–734；x 1000–1040 / 1520–1560 | +| 门洞（wall 层透明缺口） | y 283–367（高 84）；x 520–760 | y 566–734（高 168）；x 1040–1520 | +| 门洞内小路（画在 bg 层） | x 520–760 穿过门洞，向上收窄没入远山，向下展宽贯通至画面底 y800 | x 1040–1520 穿过门洞，向上收窄没入远山，向下展宽贯通至 y1600 | --- @@ -97,7 +100,7 @@ Do not add any of the following: realistic, photorealistic or 3D rendering; pain | 件 | z 序 | 终稿矩形 | 出图画布 | 正文 | |---|---|---|---|---| | 布告板 | 2 | 130×140 | 260×280 | §3.1 | -| 门扇 | 3 | 240×220 | 480×440 | §3.2 | +| 门扇 | 3 | 240×147 | 480×294 | §3.2 | | 木桩 | 4 | 120×180 | 240×360 | §3.3 | | 锻炉·铁砧 | 4 | 240×240 | 480×480 | §3.4 | | 帐篷 | 4（不可点） | 300×170 | 600×340 | §3.5 | @@ -105,7 +108,7 @@ Do not add any of the following: realistic, photorealistic or 3D rendering; pain | 笔记本 | 5 | 100×80 | 200×160 | §3.7 | | 篝火 | 6 | 160×160 | 320×320 | §3.8 | -**落位实测（锁定矩形 contain）**：布告板 130×121／门扇 240×211／木桩 120×180／锻炉 240×193／帐篷 251×170／宝箱 106×90／笔记本 100×66／篝火 160×149——贴图锚定＝底中心（帐篷/锻炉/宝箱/篝火/笔记本）＋顶锚（门扇悬挂/布告板挂墙）；命中矩形按锁定值。换算式登记（源 2× 档→落位尺寸）存 artwork 工作区。 +**落位尺寸（2026-11-05 用户裁地平线 y367 重排后）**：布告板 130×121／门扇 240×138／木桩 120×180／锻炉 240×193／帐篷 251×170／宝箱 106×90／笔记本 100×66／篝火 160×149——贴图锚定＝底中心（帐篷/锻炉/宝箱/篝火/笔记本）＋顶锚（门扇悬挂/布告板挂墙）；命中矩形按锁定值。八件只改落位，门扇另随门洞压扁重画（原 240×211 → 240×138），其余七件沿用现有终稿。 **3.1 布告板（→ 图鉴）** ``` @@ -114,7 +117,7 @@ A wooden notice board hung on a wall, with two or three blank pinned papers, no **3.2 门扇（→ 冒险）** ``` -Two wooden gate leaves hanging from their hinges, half open and tilted outward, each made of thick planks with a cross brace and dark iron fittings, seen from the front, the pair shown together as one single object; wood brown #8A5A34 planks, dark iron fittings. +Two wooden gate leaves hanging from their hinges, half open and tilted outward, each made of thick planks with a cross brace and dark iron fittings, seen from the front, the pair shown together as one single object; the pair together fills a WIDE LOW rectangle about 240 wide by 138 tall, so the leaves read as broad rather than tall, each leaf roughly twice as wide as it is high; wood brown #8A5A34 planks, dark iron fittings. ``` **3.3 木桩（→ 天赋树）** @@ -154,14 +157,15 @@ A campfire made of a ring of grey stones around crossed stacked logs with a warm **背景层 `scene_camp_bg`** - 黄度 =(R+G)/2−B 分区取样：天空 ≤20、远山 ≤20、地面 ≤35 - 冷色像素占比 ≥55%；本层不应出现任何暖色高饱和像素 -- 目检：顶部约 1/16 完全空旷；**无地平线、无远景地面带**（远山自然渐隐过渡到地面）；不含围墙、门柱、门扇、物件、角色 -- 目检／机检：门洞 x1040–1520 处**有一条清晰可辨、向远处收窄的土路**（非纯色块），透出「出去即冒险」 -- 机检／目检：全幅**无任何独立物件／图标／徽章／标记**（前景地面除小路外全空）；参考做法＝中下方块区独立色数应≈邻区 +- 目检：顶部约 1/16 完全空旷；**地面自出图 y734 起**，山脚轮廓起伏错落、与地面顶部明度衔接——**禁出现平直的横向色带分界**（旧稿 y321／y551 两条 1px 硬切即判红）；不含围墙、门柱、门扇、物件、角色 +- 目检：地面**有可辨细节**（稀疏草簇、石子、车辙、脚印），中段留白；不能是一整片平色 +- 目检／机检：门洞 x1040–1520 处土路**从画面底 y1600 连续贯通到门洞**（非断成两截、非纯色块），底宽顶窄、透视正确 +- 机检／目检：全幅**无任何独立物件／图标／徽章／标记** **围墙层 `scene_camp_wall`** - 透明底 `#F2F2F2` 可去底、奶油描边闭合 -- **桩身高度 = 出图 y534–620（终稿 43px）；门柱略高 y480–620。桩身超出围墙带下沿 y620 达 5px 以上即判红** -- 目检：密排竖木桩、桩顶削尖、不透缝、无横木；门洞 x1040–1520 **完全透明**（透出 bg 小路）、无门扇 +- **桩身 = 出图 y434–734（终稿 150px）；门柱 y406–734（终稿 164px）；外接矩形 (0,406,2560,328)。桩身超出下沿 y734 达 5px 以上即判红** +- 目检：密排竖木桩、桩顶削尖、不透缝、无横木；门洞 y566–734 / x1040–1520 **完全透明**（透出 bg 小路）、无门扇；桩身高度须明显大于门洞高度 - 单张色数 ≤32（量化后）、缩放为整数倍无拉伸痕迹 > **量化与缩放实况注记**：围墙层与八件已按营地主色板 **32 色重量化回写**（art-bible §4.1 子板行——违例对 0）；落位缩放实况＝源 2× 档经后处理换算为锁定矩形 contain（×0.1934–0.4404 非整数倍），「整数倍无拉伸痕迹」判据的机检面以落位实测尺寸与目检兜底执行。 @@ -175,10 +179,14 @@ A campfire made of a ring of grey stones around crossed stacked logs with a warm --- -## 5. 已裁（2026-11-01 用户裁；不再阻塞坐标表与定稿） +## 5. 已裁（2026-11-05 用户裁；不再阻塞坐标表与定稿） -1. **帐篷尺寸**：300×170 追认现值（各素材第一张样本稿已过审为终稿；重定即按比例重出、不裁） -2. **门扇高宽**：240×220 追认现值，坐标按门洞 x520–760 对齐（§2.3）；围墙带桩身高 43px、门扇叠在门洞上的叠放关系随此锁定 -3. **布告板位置**：采纳建议值 `(845, 268, 130, 140)` 挂回围墙带；终值随坐标表（`camp_scene_layout.tres`）落盘 -4. **描边颜色**：奶油色追认——去底脚本「奶油描边膨胀 3px 当屏障」的技术前提随现值锁定（§1 注记同源）；改深灰褐须换去底方案全量重出，不裁 -5. **营地环境子板色值**：不前置拍板——量化场景实际用色后按 art-bible §4.1 两道门登记（语义检查＋RGB 三通道差 ≥8/255），本卡仍不复述色值 +1. **地平线与整体分带**：地平线定在终稿 y367（出图 y734）；地面 433px、可见远景 217px（27%）；围墙、门、布告板随之上调 +2. **围墙高度**：桩身 150（出图 300）、门柱 164（出图 328）、门洞 84（出图 168）；墙高须大于门洞高 +3. **门扇尺寸**：贴图 240×138（锁定 240×147），随门洞压扁重画，坐标按门洞 x520–760 对齐 +4. **帐篷**：251×170 沿用现终稿，落位 (982, 335)，遮住墙下部 32px（覆盖围墙可接受） +5. **笔记本**：随帐篷跟随，落在帐篷左下方外侧、两者不重叠——`x = 帐篷 x − 112`、`y = 帐篷底 + 10` +6. **宝箱离底**：贴图底 y744，距画面底 56px；其余物件同步上移 46px +7. **布告板位置**：(845, 224, 130, 140)，底 345 落在墙内，不再悬空 +8. **描边颜色**：奶油色追认——去底脚本「奶油描边膨胀 3px 当屏障」的技术前提随现值锁定（§1 注记同源）；改深灰褐须换去底方案全量重出，不裁 +9. **营地环境子板色值**：不前置拍板——量化场景实际用色后按 art-bible §4.1 两道门登记（语义检查＋RGB 三通道差 ≥8/255），本卡仍不复述色值 diff --git a/design/gdd/ux/camp.md b/design/gdd/ux/camp.md index 991baf70..a37ebf0e 100644 --- a/design/gdd/ux/camp.md +++ b/design/gdd/ux/camp.md @@ -20,13 +20,13 @@ | 木桩 | 天赋树 | | | 布告板 | 奖励格图鉴 | 内容冻结未激活，点进看占位——**不是禁用态** | | 篝火 | 离开营地回主菜单 | **必须二次确认**；命中区只含火堆、不含火焰 | -| 帐篷 | — | 承载件，**不可点**；落地尺寸与占位范围待作者重定（待裁口径见 art-bible §6.2） | +| 帐篷 | — | 承载件，**不可点**；251×170 落位 (982, 335)，上端遮住围墙下部；笔记本在其左下方外侧、两者不重叠 | 纵深＝远景天空与远山／中景木围墙与营地大门／近景篝火与左右物件（作者纵深稿）。中景围墙是横贯全宽的密排竖木桩墙——木桩一根挨一根无缝、桩顶削尖、无横木，只在中段留缺口给大门。 **场景按要素分层（10 张）**：远景天空／远山／整片地面／门洞内的小路合成 `scene_camp_bg` 背景层（z0，不透明全幅）；中景木围墙独立成 `scene_camp_wall` 围墙层（z1，透明底，门洞处留透明缺口）；其余八个物件层各一张、由上往下叠。门洞是围墙层的透明缺口，透出背景层画的**一条通向远处的小路**，不可填死。 -**中景带自画面底部往上约 2/3 处起**；近景物件允许压住围墙（围墙不可点，z 序在近景物件之下），**唯一例外＝中间门洞必须留空、不被任何物件遮挡**。围墙形态、门扇比例与帐篷尺寸的现行口径归 [art-bible](../../art/art-bible.md) §6.2，本 spec 不再复述。 +**地平线在终稿 y367**（自画面底部往上约 46%），其上是天空与远山、其下整片地面；**中景围墙带 y203–367**，桩身 150、门柱 164；近景物件允许压住围墙（围墙不可点，z 序在近景物件之下），**唯一例外＝中间门洞必须留空、不被任何物件遮挡**。围墙形态、门扇比例与帐篷尺寸的现行口径归 [art-bible](../../art/art-bible.md) §6.2，本 spec 不再复述。 坐标草案与分层验收判据见 [camp-scene-prompts](../../art/camp-scene-prompts.md) §2.3／§4（10 张口径现行事实源）；2026-10-22 美术方案讨论沿革查 git 提交史。