文档(远景片两点反馈修批·提示词卡 v1.7＋圣经 v3.45): 用户裁「天空颜色太蓝了,可以再淡一点／山的轮廓阴影一层一层的,太弱智了／远景图就这两点问题,其他没有什么问题了／地面图片就目前这样可以接受」——只改远景片天空与远山两处定义,地面片正文与硬指标一字不动(v3 已过作者审)。①天空:饱和晴蓝→淡晴蓝(高明度低饱和的清蓝,明令禁深饱和正午蓝);光照口径三处读出改「天空清透的淡蓝」;英文 BAND 1 改 pale light clear blue/high value low saturation/never deep or vivid;COLOR 行与「THE BLUE SKY IS THE ONLY HIGH-SATURATION AREA」整句退役,改「THE WHOLE FAR VIEW STAYS PALE AND LOW IN CONTRAST」;§4 高饱和例外条撤天空豁免(原「只留给晴蓝天空与火焰」＋天空带折整幅约 6% 括注),改「远景片整幅中低饱和,高饱和只留给近景火焰与烛光件」。②远山:2–3 层大气透视层叠(一层比一层淡/蓝)→一整片连续的淡蓝灰山体,轮廓自然起伏,禁一层叠一层的轮廓带/平行山脊条带/台阶式横条阴影;英文 BAND 2 改 ONE single continuous mass/not a stack of separate ridges/at most one or two gentle lighter planes,DO NOT ADD 增 stacked layered hill silhouettes 等四项;§4 目检条同步换代。同步面(用户立规「有定义内容修改就全部一起改」)=提示词卡依据句/§2 背景层分述/§2.1.1 光照口径·分带·画什么·不画什么·英文正文四处/§4 远景三条 ＋ art-bible §6.2 色彩与氛围依据;山体占比 41%·分带百分比·机检四条·草地土路晒白口径均不动。凭据: 全仓 design 旧措辞零残留(饱和晴蓝/一层比一层/大气透视/saturated midday/layer by layer/deep clear blue 六词 grep 无命中); --docs 文档域闸八件七绿(gdd_lint/变更记录节/doc_link/doc_term/流水线闸/引用可核/熵增闸 exit=0),能力审计红 1=game/probe/probe_coverage_recorder.gd:201 dump_js 缺 # oracle 注记(master 存量,主区另有未提交修复在其上,非本批写面;审计输入只读 design/gdd 与 game/**/*.gd,本批 diff 两篇美术文档不可能触发)
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# 美术圣经(Art Bible)— Dungeon Sweeper
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> 项目：Dungeon Sweeper（扫雷 × 自动战斗 闯关 Roguelike）· 状态：**第 1–9 节定稿**；现行为 v3.44，历次修订明细见 git 提交史
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> 项目：Dungeon Sweeper（扫雷 × 自动战斗 闯关 Roguelike）· 状态：**第 1–9 节定稿**；现行为 v3.45，历次修订明细见 git 提交史
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>
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> **Art Director Sign-Off(AD-ART-BIBLE)**：历次批均未签核——此为 Lean/Solo 模式（非 PHASE-GATE）下的现行治理状态；full 门禁签核时机待用户表态。
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> 风格基调：地牢题材但**非暗黑风**——轻快明亮的幻想冒险风，全年龄；像素风；角色 2~3 头身。
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- **场景构成**：一张可点击的营地场景图（1280×800，与工程档同幅面）。远景=天空与远山；中景=**独立成层的木围墙**（密排竖木桩、桩顶削尖、不透缝无横木）与**半开的营地大门**；近景=中央篝火、左侧锻炉铁砧、右侧帐篷与宝箱、帐篷旁的笔记本，另有木桩与挂在围墙上的布告板。**中景带自底部往上约 2/3 处起**；**近景物件可覆盖围墙，唯一例外=中间门洞必须留空、不被任何物件遮挡**。七个可点物件的功能绑定归 `camp.md`，本节只定画法。
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- **图层拆分（10 张）**：场景按「远景／中景／近景要素各自成层」拆——`scene_camp_bg` 背景层（z0，不透明全幅）=天空＋远山＋整片地面＋门洞内一条通向远处的小路；`scene_camp_wall` 围墙层（z1，透明底）=横贯全宽密排木桩墙（左右两段）＋两根略高的门柱，**门洞处留透明缺口**透出背景层的小路；`scene_camp_board` 布告板（z2）、`scene_camp_gate` 门扇（z3）、`scene_camp_dummy` 木桩／`scene_camp_forge` 锻炉／`scene_camp_tent` 帐篷（z4）、`scene_camp_chest` 宝箱／`scene_camp_notebook` 笔记本（z5）、`scene_camp_campfire` 篝火（z6，最前）=八个物件层，各透明底单件一张。**帐篷**为承载件、不可点。围墙独立成层的好处：桩高可单独锁死、门洞做透明缺口、背景层不混入暖木色。提示词与坐标 = `camp-scene-prompts.md`，消费常量 = `asset-path-map`。
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- **交付形态**：**背景层 1 张（不透明全幅）＋ 围墙层 1 张 ＋ 八个物件层 = 10 张**，其中 9 张透明底、1 张不透明全幅 + 一份坐标表（贴图矩形/命中矩形/z 序）。背景层由**远景片 `bg_far`（2560×734）与地面片 `bg_floor`（2560×866）两片出图、按 y734 拼成一张**——整张一次出图时模型把远山挤到画面下半部，被围墙挡住后完全消失（实测三张里两张山体上缘落在墙顶以下）。接缝整条落在围墙背后，画面无接缝。**篝火例外**：命中矩形只取下半（火堆），上半（火焰）只作特效展示。围墙层落盘按细条裁，不做全幅（全幅约 3.9 MB 显存，细条约 0.35 MB）；**实装落盘矩形 `(0, 203, 1280, 164)`、底锚 y367**（桩身 150px、门柱 164px 终稿锁定值，落带内〔围墙带 (0,203,1280,164)〕）。
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- **色彩与氛围依据**：营地的暖由晒白的地面、木色物件与烛光黄承载，安全温馨，与冒险中的地下城形成对比；远景＝正午强日照——天空晴蓝、远山随距离转淡蓝灰、草地与土路晒白，整体淡而退后，近景暖调为主。现行口径 = 本文件 §2.8「全作最暖」（管菜单容器与元进度，不约束背景天空）与本节「情绪与色域」条。本节不复述色值；新增环境色按 §4.1 场景环境子板条款登记（每屏一套、≤32 色、过 §4.2 语义检查与 RGB 三通道差 ≥8/255 两道门）。
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- **色彩与氛围依据**：营地的暖由晒白的地面、木色物件与烛光黄承载，安全温馨，与冒险中的地下城形成对比；远景＝正午强日照——天空淡晴蓝（高明度低饱和的清蓝）、远山一整片连续的淡蓝灰山体（禁层叠轮廓带与阴影台阶）、草地与土路晒白，整体淡而退后，近景暖调为主。现行口径 = 本文件 §2.8「全作最暖」（管菜单容器与元进度，不约束背景天空）与本节「情绪与色域」条。本节不复述色值；新增环境色按 §4.1 场景环境子板条款登记（每屏一套、≤32 色、过 §4.2 语义检查与 RGB 三通道差 ≥8/255 两道门）。
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- **交互四态（零新素材，全部程序化）**：悬停=**轮廓亮边 + 浮动**（浮动须整像素吸附）；按下=位移 1px；**禁用/未解锁=降明度 + 去饱和**（§2 已缩窄至情绪域，状态表达不受限），**仅锻炉（锻造工坊）与宝箱（秘宝匣）两件会有此态**；已解锁=常态。
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- **钥石余额**：常驻画面顶部的一行小 HUD 栏（高 48px，**浮层覆盖，不挤压画面**）。栏体底=`CAMP_HEADER_BAND` `#6E4526`（§7.2 五 token 对齐表在册色）× 不透明度 0.80；栏内只钥石徽章一件、右位顶格，左位不放件。呈现定值的唯一事实源=[camp](../gdd/ux/camp.md) §顶栏，本节不复述判据。验收：目检〈顶栏成一条可辨窄带，徽章落在带内〉
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- **事实源边界**：解锁条件/价格/存档写入归元进度 GDD 与 `MetaProgression`；素材命名与路径归 `asset-path-map`；清单登记归 `art-assets-checklist` §3.5。
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# 营地场景 · 分层生图提示词卡 v1.6
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# 营地场景 · 分层生图提示词卡 v1.7
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> **性质**：营地场景图（1280×800，一张可点击场景图 ＋ 十张分层：背景层 1 ＋ 围墙层 1 ＋ 八个物件层）的出图执行侧文件。**场景级资产，与角色级 [art-prompts](art-prompts.md) 并列，两文件互不覆盖**。
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> **依据**：色彩与氛围 = [art-bible](art-bible.md) §2.8 与 §6.2（营地的暖由晒白的地面、木色与烛光件承载；远景走正午强日照、天空晴蓝，与冒险中的地下城形成对比；本卡不复述色值）；坐标与层序 = 本卡 §2.3（运行期单一事实源 = `game/data/tables/camp_scene_layout.tres`）；物件命名与消费链 = [asset-path-map](asset-path-map.md)；画法与交付形态 = [art-bible](art-bible.md) §6.2。画法与用色冲突时以 art-bible 为准。
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> **依据**：色彩与氛围 = [art-bible](art-bible.md) §2.8 与 §6.2（营地的暖由晒白的地面、木色与烛光件承载；远景走正午强日照、天空淡晴蓝，与冒险中的地下城形成对比；本卡不复述色值）；坐标与层序 = 本卡 §2.3（运行期单一事实源 = `game/data/tables/camp_scene_layout.tres`）；物件命名与消费链 = [asset-path-map](asset-path-map.md)；画法与交付形态 = [art-bible](art-bible.md) §6.2。画法与用色冲突时以 art-bible 为准。
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> **边界**：只管营地场景图的分层出图。角色、图标、格面走 art-prompts.md 与脚本管线，不需要提示词。
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> **建立**：2026-10-25 · 状态：十条提示词成文（背景层 1 ＋ 围墙层 1 ＋ 八个物件层）；背景层两片与围墙层待按 §4 新判据重出，门扇随门洞压扁重画
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@@ -39,7 +39,7 @@ Style reference: the attached images are this game's own finished pixel art and
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## 2. 背景层与围墙层（两张，不可点）
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围墙从背景层拆出、独立成层：围墙层可单独锁死桩高、门洞做成透明缺口透出背景层的小路；背景层只画天、山、草地与地面，不画任何物件——远景走正午强日照（晴蓝天空、随距离转淡蓝灰的远山、晒白的草地与土路），整体淡而退后，让近景的暖调木色与烛光件成为画面主角。两层都不可点；按乙工序门**先只出背景层 1 张**供作者确认风格前缀，确认后才扩产围墙层与八个物件层。
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围墙从背景层拆出、独立成层：围墙层可单独锁死桩高、门洞做成透明缺口透出背景层的小路；背景层只画天、山、草地与地面，不画任何物件——远景走正午强日照（淡晴蓝天空、一整片连续的淡蓝灰远山、晒白的草地与土路），整体淡而退后，让近景的暖调木色与烛光件成为画面主角。两层都不可点；按乙工序门**先只出背景层 1 张**供作者确认风格前缀，确认后才扩产围墙层与八个物件层。
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### 2.1 背景层（`scene_camp_bg`，不可点，不透明全幅）
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#### 2.1.1 远景片（`bg_far`）
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**画布比例**：3.5:1 超宽。通道支持直接出 2560×734；不支持则按 3:2 出图后纵向压到 3.5:1，构图比例不变
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**光照口径**：正午强日照晴天。太阳不入画，猛烈感从三处读出——天空饱和地蓝、云烧得白、地面晒到泛白。
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**光照口径**：正午强日照晴天。太阳不入画，猛烈感从三处读出——天空清透的淡蓝、云烧得白、地面晒到泛白。
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**分带（按画面高度）**：
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- 天空 0–14%＝饱和晴蓝，至多两朵烧白扁平简笔云
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- 远山 14–55%（**山体占 41%，硬指标**）＝随距离一层比一层淡、一层比一层蓝，最远一层几乎并入天空
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- 天空 0–14%＝淡晴蓝（高明度、低饱和的清蓝，不是深饱和的正午蓝），至多两朵烧白扁平简笔云
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- 远山 14–55%（**山体占 41%，硬指标**）＝一整片连续的淡蓝灰山体，轮廓自然起伏；**禁一层叠一层的轮廓带与阴影台阶**
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- 草地 55–100%＝晒白的浅黄绿
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- 小路在草地内：从底边向上收窄，到山脚为止，**不越过山脚、不上探到天空**；路面晒白成暖米白
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**画什么**：晴蓝天空、2–3 层大气透视远山、晒白草地、草地中央一条暖米白土路
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**不画什么**：围墙、门柱、门扇、物件、角色、营地内地面（那是 §2.1.2）；太阳本体、太阳光晕、奶白或暖黄底色的天空；山与草地之间禁出现平直硬边
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**画什么**：淡晴蓝天空、一整片连续的淡蓝灰远山、晒白草地、草地中央一条暖米白土路
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**不画什么**：围墙、门柱、门扇、物件、角色、营地内地面（那是 §2.1.2）；太阳本体、太阳光晕、奶白或暖黄底色的天空、深饱和的蓝天；一层叠一层的山体轮廓带、平行山脊条带、台阶式横条阴影；山与草地之间禁出现平直硬边
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```
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Pixel art style. True pixel art game background, chunky square pixels, strict pixel grid, hard edges, no anti-aliasing, flat colors, limited palette about 20 colors, retro 16-bit look, Aseprite style, flat side view, orthographic, ULTRA WIDE horizontal composition, aspect ratio 3.5 to 1. This is the far view seen from inside a small adventurer camp, looking out, at high noon on a clear hot day. It contains ONLY three bands stacked top to bottom, plus one path. The sun itself never enters the frame; its strength must be read from the surfaces instead — bleached ground, burned white clouds, a deep clear blue sky. BAND 1 — SKY, from the top edge down to 14 percent of the frame height: a saturated clear midday blue, flat and empty, no gradient; at most two extremely simple flat clouds in clean bright white with a pale grey underside, so they read as burned white by the sun; no sun, no sun glow, no warm or cream tint anywhere in the sky. BAND 2 — DISTANT HILLS, from 14 percent down to 55 percent of the frame height: two or three overlapping layers of rolling hills separated by atmospheric distance — the nearest layer pale desaturated blue-green, each farther layer lighter, bluer and lower in contrast, the farthest almost merging into the sky. THE HILLS MUST FILL THIS ENTIRE BAND — the highest ridgeline reaches up to 14 to 20 percent of the frame height and the hill mass continues down to 55 percent; a low ridge hugging the bottom of the frame is WRONG. Silhouette edges are stepped in pixel blocks, no outline, no rim light. BAND 3 — MEADOW, from 55 percent down to the bottom edge: sun-bleached pale yellow-green grass, flat and low contrast, marked only by a few simple flat grass tufts, no trees, no bushes. PATH — one dirt path in the meadow only, sun-bleached warm off-white tan: it starts at the bottom edge of the frame in the middle, about one fifth of the frame width there, runs straight up and narrows until it meets the hill foot at 55 percent, where it disappears; it must not go above the hill foot and must not reach the sky. COLOR: a high-noon clear-daylight palette — saturated midday blue sky, burned white clouds, blue-grey hills receding layer by layer, sun-bleached pale yellow-green meadow, warm off-white dirt path. THE BLUE SKY IS THE ONLY HIGH-SATURATION AREA; everything below the ridgeline stays pale, dry and low in contrast. LIGHT: harsh dry daylight straight from above, no visible sun, no long shadows, no warm or sunset cast; the far view reads as a safe open place under a strong sun. DO NOT ADD: any palisade wall, fence, gate, gate posts, tent, campfire, crate, barrel, prop, character, animal; any hard straight horizontal seam between sky, hills and meadow — the hill foot dissolves into the meadow through stepped intermediate tones; any outline or rim; trees, forests or dense vegetation; a visible sun disc, sun glow, lens flare, god rays, a warm cream or yellow tinted sky, sunset, golden hour, overcast grey sky; antialiasing, gradients, dithering, painterly strokes, 3D, realistic shading, glossy light, bloom, vignette, night; any text, letters, number, watermark, signature, logo, frame, border, UI element, icon, badge.
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Pixel art style. True pixel art game background, chunky square pixels, strict pixel grid, hard edges, no anti-aliasing, flat colors, limited palette about 20 colors, retro 16-bit look, Aseprite style, flat side view, orthographic, ULTRA WIDE horizontal composition, aspect ratio 3.5 to 1. This is the far view seen from inside a small adventurer camp, looking out, at high noon on a clear hot day. It contains ONLY three bands stacked top to bottom, plus one path. The sun itself never enters the frame; its strength must be read from the surfaces instead — bleached ground, burned white clouds, a pale clear blue sky. BAND 1 — SKY, from the top edge down to 14 percent of the frame height: a pale light clear blue, high value and low saturation, like a washed-out summer sky, never a deep or vivid blue; flat and empty, no gradient; at most two extremely simple flat clouds in clean bright white with a pale grey underside, so they read as burned white by the sun; no sun, no sun glow, no warm or cream tint anywhere in the sky. BAND 2 — DISTANT HILLS, from 14 percent down to 55 percent of the frame height: ONE single continuous mass of rolling hills in pale blue-grey, not a stack of separate ridges. The skyline rises and falls naturally with a few broad soft summits; the whole mass reads as one flat pale blue-grey tone, with at most one or two very gentle lighter planes to suggest volume. DO NOT draw layered silhouette bands, stacked parallel ridges, terrace-like steps, or repeated shadow stripes running across the hills. THE HILLS MUST FILL THIS ENTIRE BAND — the highest ridgeline reaches up to 14 to 20 percent of the frame height and the hill mass continues down to 55 percent; a low ridge hugging the bottom of the frame is WRONG. Silhouette edges are stepped in pixel blocks, no outline, no rim light. BAND 3 — MEADOW, from 55 percent down to the bottom edge: sun-bleached pale yellow-green grass, flat and low contrast, marked only by a few simple flat grass tufts, no trees, no bushes. PATH — one dirt path in the meadow only, sun-bleached warm off-white tan: it starts at the bottom edge of the frame in the middle, about one fifth of the frame width there, runs straight up and narrows until it meets the hill foot at 55 percent, where it disappears; it must not go above the hill foot and must not reach the sky. COLOR: a high-noon clear-daylight palette — pale clear blue sky, burned white clouds, one continuous pale blue-grey hill mass, sun-bleached pale yellow-green meadow, warm off-white dirt path. THE WHOLE FAR VIEW STAYS PALE AND LOW IN CONTRAST; the sky is the bluest area but it is a light washed-out blue, never deep or vivid, and everything below the skyline stays pale and dry. LIGHT: harsh dry daylight straight from above, no visible sun, no long shadows, no warm or sunset cast; the far view reads as a safe open place under a strong sun. DO NOT ADD: any palisade wall, fence, gate, gate posts, tent, campfire, crate, barrel, prop, character, animal; any hard straight horizontal seam between sky, hills and meadow — the hill foot dissolves into the meadow through stepped intermediate tones; any outline or rim; trees, forests or dense vegetation; a visible sun disc, sun glow, lens flare, god rays, a warm cream or yellow tinted sky, a deep saturated blue sky, sunset, golden hour, overcast grey sky; stacked layered hill silhouettes, parallel ridge bands, terrace steps or repeated shadow stripes across the hills; antialiasing, gradients, dithering, painterly strokes, 3D, realistic shading, glossy light, bloom, vignette, night; any text, letters, number, watermark, signature, logo, frame, border, UI element, icon, badge.
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```
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#### 2.1.2 地面片（`bg_floor`）
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@@ -195,13 +195,13 @@ A campfire made of a ring of grey stones around crossed stacked logs with a warm
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|
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**远景片 `bg_far`**
|
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- 整体读作正午强日照晴天、安全开阔，与冒险中的地下城形成对比；色温与色值判据按 §5 第 11 条随环境子板登记回填
|
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- 高饱和只留给晴蓝天空与火焰，其余画面保持中等饱和、低对比；远景淡而退后、近景暖调木色与烛光件为主，禁出现整屏高饱和偏色（天空带只占远景片 0–14% 高，折到整幅约 6%，不属整屏偏色）
|
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- 远景片整幅保持中低饱和、低对比，高饱和只留给近景的火焰与烛光件；远景淡而退后、近景暖调木色与烛光件为主，禁出现整屏高饱和偏色
|
||||
- 机检：**山体上缘 ≤ 画面高度 15%**（这是硬指标——山体上缘落得越低，被围墙挡住后越是什么都看不见）
|
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- 机检：**山体占画面高度 ≥40%**（山体上缘到山脚）
|
||||
- 机检：草地上限 ≤ 画面高度 55%
|
||||
- 机检：山脚与草地交界处，上下各 8px 窄带的行均色差 ≤6/255（禁平直硬边；旧稿 y321 处约 37/255）
|
||||
- 目检：顶部天空＝饱和晴蓝，无太阳本体、无太阳光晕、无奶白或暖黄底色；云为烧白扁平简笔且不超过两朵
|
||||
- 目检：远山随距离一层比一层淡、一层比一层蓝，大气透视可辨；草地与土路读作晒白（浅黄绿／暖米白），不落深橄榄绿
|
||||
- 目检：顶部天空＝淡晴蓝（清透、高明度、低饱和），无太阳本体、无太阳光晕、无奶白或暖黄底色、无深饱和正午蓝；云为烧白扁平简笔且不超过两朵
|
||||
- 目检：远山读作一整片连续的淡蓝灰山体，轮廓自然起伏，禁一层叠一层的轮廓带与阴影台阶；草地与土路读作晒白（浅黄绿／暖米白），不落深橄榄绿
|
||||
- 目检：小路只在草地内，从底边向上收窄到山脚为止，**不越过山脚、不上探到天空**
|
||||
- 目检：无围墙、门柱、门扇、物件、角色
|
||||
|
||||
|
||||
Reference in new issue
Block a user